FANDOM


Featured CPrince Headpiece Good
Jing

The Gopher employed positive jing in battle in concurrence with Toph's utilization of neutral jing.

Jing is a term that describes the myriad of options one has during battle on how to direct their energy, both internally and externally. Although Bumi claims that there are technically at least eighty-five distinct types of jing, the two commonly known forms are positive jing, corresponding to advancing or attacking, and negative jing, corresponding to retreating or evading. Another known form is neutral jing, which corresponds to waiting and listening, or, as Bumi described it, "doing nothing".[1]

Positive jing

Octopus form

The octopus form is one of the many techniques in waterbending that allows waterbenders to maintain a balance between positive and negative jing.

Positive jing is an aggressive expression of chi. As such, it complements the more aggressive tactics of firebenders during combat. Firebenders typically prefer action to inaction or conflict avoidance, relying heavily on preemptive strikes to overwhelm their opponents with sheer power. These positive jing attributes are also found in the attitudes and personalities that are common among the people of the Fire Nation.

While training Kyoshi in firebending, Rangi had the Avatar spar her on a long, narrow beam of earth to force her to concentrate on positive jing, resisting and overcoming rather than staying still and evading.[2]

Negative jing

Negative jing is mostly exercised in airbending, reflecting the Air Nomads' pacifistic lifestyle and their philosophy that all life is sacred; they assert that fighting is only to be used as a last resort when conflict cannot be avoided.[3] Airbenders are more mobile fighters compared to earthbenders and possess a highly dynamic fighting style; to "avoid and evade" is recognized as a typical airbender tactic.[4]

In the case of waterbending, common maneuvers involve following the moon and the ocean's example of "push and pull".[5] As such, waterbenders will alternate between and maintain a balance of both positive and negative jing in combat, allowing them to turn defense into offense as they use their opponent's force against them while conserving their own.

Neutral jing

Toph's vision

Seismic sense is a specialized technique under earthbending that utilizes concepts involved with neutral jing.

Neutral jing is stated to be the key to earthbending. Fundamentally, neutral jing involves listening, though seemingly doing nothing, and waiting for the right moment to strike. When in combat, earthbenders are more stationary combatants, usually waiting for their opponent to come to them, while standing their ground and meeting their opponents' attacks head-on, before delivering a deadly strike of their own. Neutral jing forms the basis of true earthbending, and it is the concept used by the first earthbenders, the badgermoles. The idea is also fundamental in seismic sense, a perceptive fighting style used by select benders, one of whom was Toph.[6]

As highlighted, someone who has mastered neutral jing is someone who waits and listens before striking. Kyoshi demonstrated her knowledge of neutral jing when trying to de-escalate a situation where she was bullied by employing the principle of remaining as passive and unresponsive as she could while being bullied by Aoma, Jae, and Suzu.[7] Jianzhu mentioned the concept of neutral jin later as well when he was trying to track down Kyoshi, cautioning himself to over-prepare in favor of sitting quietly until the next step presented itself.[8] Bumi too relied on neutral jing while earthbending, to the extent that he refused to flee Omashu even when Aang came to his rescue. His desire to wait for an opportune moment to strike was initially baffling to his soldiers and to Aang, although the Avatar later accepted Bumi's decision.[1] The monarch eventually freed himself during the Day of Black Sun, recognizing it as the precise moment to strike as his captors were defenseless without their firebending.[3]

Trivia

  • Jīng or Jīn () means "power" or "energy" in Chinese (see also Fa jin).
  • While the concept of neutral jing seemed to be common knowledge prior to the Hundred Year War, Aang had a hard time tracking down an earthbender around 100 AG who exhibited knowledge of the concept.
  • The concept of jing, while it can be reflected as the differences of options open to a person in battle, actually also corresponds to all aspects of a person's life and not just on the battlefield.[source?]
  • A parallel to the series' concept of jing would be the "fight, flight, or freeze response in psychology; certain personality types are more inclined to act in accordance with a particular jing.

References

  1. 1.0 1.1 Ehasz, Elizabeth Welch (writer) & Spaulding, Ethan (director). (April 7, 2006). "Return to Omashu". Avatar: The Last Airbender. Season 2. Episode 3. Nickelodeon.
  2. Yee, F. C. (author), DiMartino, Michael Dante (author). (July 16, 2019). Chapter Twenty-One, "Preparations". The Rise of Kyoshi. Amulet Books.
  3. 3.0 3.1 Ehasz, Aaron (writer) & Volpe, Giancarlo (director). (July 19, 2008). "Sozin's Comet, Part 2: The Old Masters". Avatar: The Last Airbender. Season 3. Episode 19. Nickelodeon.
  4. O'Bryan, John (writer) & Lioi, Anthony (director). (March 18, 2005). "The King of Omashu". Avatar: The Last Airbender. Season 1. Episode 5. Nickelodeon.
  5. Ehasz, Aaron (writer) & Filoni, Dave (director). (December 2, 2005). "The Siege of the North, Part 2". Avatar: The Last Airbender. Season 1. Episode 20. Nickelodeon.
  6. DiMartino, Michael Dante (writer) & Spaulding, Ethan (director). (May 5, 2006). "The Blind Bandit". Avatar: The Last Airbender. Season 2. Episode 6. Nickelodeon.
  7. Yee, F. C. (author), DiMartino, Michael Dante (author). (July 16, 2019). Chapter Two, "Nine Years Later". The Rise of Kyoshi. Amulet Books.
  8. Yee, F. C. (author), DiMartino, Michael Dante (author). (July 16, 2019). Chapter Seventeen, "Obligations". The Rise of Kyoshi. Amulet Books.

External links

Start a Discussion Discussions about Jing

Community content is available under CC-BY-SA unless otherwise noted.