<div class="quote"><i>Not to me. This criticism was really apparent from the start.</i></div>
<p>A lot of characters were mentioned here, so I'm just going to go through them 1 by 1:
</p><p>Mako: Yes, there was certainly a conscious decision to improve him, which necessarily means that some scenarios are going to have to be made to give him an excuse to be useful.
</p><p>Lin: I can understand being disappointed at the role she plays, but Mako's success here is largely the product of fortune, not greater skill. Had Lin been on the scene of the bombing with or instead of Mako, there's no reason to think she wouldn't recognize the significance & respond accordingly. But at the time, she was following the leads considered to be most important to the case, which is what a police chief is supposed to do.
</p><p>Korra: I had been saying for the whole Book that Korra's complaints were legitimate & Mako was no saint either, so I find this even less of a problem than Lin's situation, which at least took me a while to figure out why it didn't bother me. I don't see what the audience infers to necessarily be a problem, after all I'm critical of a number of common stances among the fans; including that Korra is weak, Korrasami had no buildup, <i>Book 2: Spirits</i> is the worst in the franchise, & more.
</p><p>Bolin: Granted, though the point is ultimately to set up his self actualization in Books 3 & 4.
</p><p>Asami: Well, I can't argue with this one. For about the latter half of the Book, she mostly becomes the ball that gets passed between the other characters to show how important they are, starting with Mako.
</p>
<div class="quote"><i>(being able to finally pacify the dark spirits, journeying into the spirit world, learning more about herself as a person, Vaatu making an appearance for the first time in the current storyline, Harmonic Convergence just all of it, Korra deciding to leave the portals open, etc).</i></div>
<p>My question is, what reason is there to even care about Vaatu at all? His whole motive is barely distinct from evil for fun, & nothing about his personality strikes me as particularly noteworthy. He's hammy, but not in any unique way. The only really original thing he does is ally with Unalaq as a true partner, which half of the fandom tries to claim didn't even happen. Then there are the Dark Spirits, who usually have uninspired designs & exist largely to give Unalaq & Vaatu foot soldiers that can be spammed as needed to occupy the other characters, because Korra is the only one who can defeat them.
</p><p>I'm tempted to say, "Compare that with <i>The Search</i> or <i>The Rift</i>," but there's really no comparison. In terms of centering developed Spirit World characters with original designs, the comics just blow the ironically named <i>Book 2: Spirits</i> completely out of the water. Then there's the finale, & I still couldn't tell you half of what even happened if you asked me. Something about Jinora & a butterfly allowed Raava to come back, Unalaq turned into Cthulhu because I guess that's what happens when an Avatar wins the Harmonic Convergence struggle even though it didn't happen to Korra afterward, Korra waterbent in spirit form somehow, & none of this was ever spoken of again.
</p><p>The point is, there can be as many interesting set pieces, cameos, & epiphanies as the writers want, but what about what's holding it all together?
</p>
<div class="quote"><i>"Dastardly Varrick" was interesting but his plot point amounted to basically nothing really in this book.</i></div>
<p>I'm fine conceding this point, because an interesting diversion seems like a step up from an A Plot that has its strengths but ultimately is largely confusing, underdeveloped, & often frustrating.
</p>
<div class="quote"><i>True for the audience but not so much with the characters themselves</i></div>
<p>Nothing Mako uses to conclude that Aiwei is framing that guard to cover his own involvement requires any special knowledge that the characters lack, it's all simple deductions that can be made based on the readily apparent facts. Particularly since, as Varrick pointed out, they've been through this situation before.
</p><p>However, in the case of Lu & Gang, it's actually justifiable for Lin to not immediately act on their behavior, because most of it occurs behind her back. When she <i>does</i> see them act incompetently, she lays the hammer down. While the dynamic isn't exactly clear, it's implied this isn't something that's been going on for a long time--either they were recently promoted & are just now showing that to be a mistake, or they were formerly good detectives but have gotten sloppy. Also, from an out-of-universe standpoint, I suspect it might be the case that they were originally supposed to be on Varrick's payroll, but Nickelodeon stepped in & said they couldn't do that because giving kids reasons to not trust police is sticky territory politically, so they were rewritten to be buffoons.
</p><p>But back to <i>The Stakeout</i>, I guess there's nothing wrong with it, it's just that I think a truly great showcasing of a team's skills is when it feels like they're <i>needed</i>, that the job couldn't be done with basically any decently resourceful group in the same situation. Take when they attack the Northern Army in Book 2; Asami is needed because there are few people qualified to fly planes at this point, Bolin is needed because of his precision with projectile earth attacks, I guess Mako could technically be replaced with Iroh but it's an advantage to have someone who works well with Bolin, & Korra's power is necessary to break through the blockade. You can't really replace any of them & expect to achieve the same results. Now, I deliberately searched for an example that showed the whole team contributing their unique skills, but I'm fine having some scenes where not everyone can participate.
</p>